Thursday
21 
We jumped a bit ahead of
ourselves in the sense that this morning's
conversation revolved primarily around needs but,
in the course of this conversation, we said some
important things about who we are and what we do.
QUESTIONS
What are the questions that
are important for visual studies? We don't always
know in advance what our questions are. We want
to accommodate serendipity, finding something
we're not necessarily looking for.....as with
card catalogues and stack browsing. We felt that
the responses to the questionnaires did not
actually get at interrogation. We found it
difficult to generalize about the questions we
ask many times we discover the questions in
conversation with the object of study. It's an
iterative process and we sometimes discover the
questions as we get into the material and get to
know the tools better.
MESL
Because several people in
our group had participated in the Museum
Educational Site Licensing project (MESL), we
asked what it was about that project that made it
work. Our responses: it provided "raw"
material; the images were searchable; individual
faculty could assemble the material as they
wished; it was truly collaborative on many
levels, with the collaboration producing a
decidedly different result than if any of us had
worked on our own. MESL, nonetheless, provided
art historical information to art historians. If
we were building the next-generation database, we
would want to ask how this would scale up to
other disciplines.
CRITICAL
MASS, "ARCHIVING" & PRESERVATION
One of the ways we work
(ideally) is in proximity to large amounts of raw
material: Janet Murray's archive model. However,
to make everything an archive, we need an entity
to take these things and maintain them and bring
them up into the current technology (each
organization needs a digital preservation
officer).
FEEDBACK
LOOP
Many felt that the current
linear "delivery and reception" model
is inadequate, in part because it factors out the
role of creation and in part because it fails to
accommodate feedback. We need a way for users to
give back into the system and to contribute to
it. How to get our questions and comments heard
more interactive information lines/exchanges.
RELATIONSHIP
TO OUR MATERIAL
We need to be able to look
at the material in new ways: we want to be able
to search in new ways AND keep the old ways too.
We articulated at least
three kinds of things related to what we do that
could be delivered:
- finding aids or
information about what's held;
- the things themselves,
that is some surrogate of the
"primary source" and/or the
visual object of research; and
- functionality, the
ability to search and manipulate.
Questions about clarifying
audience and use were on everyone's list.
We agreed that we want new
technologies to do something for us beyond what
we can already do in more conventional media. We
do not wish simply, in other words, to replicate
slide technology in a new form.
In response to the
question, "what do we want?" there was
substantial agreement on the sorts of things we'd
like to see:
sourced, high quality content
a large database of visual
materials
the ability to search (by
visual as well as textual
characteristics) and to browse
the ability to sort material
(like a light table)
the ability to manipulate the
images once we have them, as well as to
zoom and pan, etc.
the theme of standards was
mentioned by many people; standards in
this conversation had to do with
replicability, duration, authority, and
mechanisms for evaluation.
more time and funding...both
to do projects and to learn the
technology: we need to become familiar
with what's possible and what's already
"there."
more opportunities for
collaboration.
History | Interdisciplinary
Studies | Language
& Literature | Performing
Arts | Visual
& Media Studies
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